Urban sculpture should emphasize historical characteristics and conform to the aesthetics of the public

China's copper engraving industry network led everyone out of Baoding, came to the city, the bronze sculpture of the Congtai Square in the city center, "Zhao Wuling Wang", the theme sculpture of Zhaoyuan Scenic Area, "Zhaohuo Liren", the "Mujiao self-recommended" of Hunchun Garden, " A series of sculptures reflecting the theme of history, culture and the hometown of idioms and allusions are available in a series of sculptures such as "Hufu riding and shooting" and "will be phased together". Urban sculptures with urban characteristics are favored by users. Not only can it reflect the city's characteristics, but it also makes people feel intimate.

The city sculpture of Handan City is based on the theme of “historical culture, regional characteristics, and development of the times”. It insists on “taking history as the pulse and using literature as the soul”, paying attention to the creation of sculptures in the context of the big environment, paying attention to The excavation and arrangement of the city's natural characteristics and historical culture, focusing on the integration of urban sculpture and urban social economy, focusing on the diversity of sculpture themes and the diversity of creative techniques.

Urban sculpture exists in the public space of the city and is associated with the city. It is no longer a simple personal art. Nowadays, many artists still believe that urban sculpture is the social representation of individual works, imposes personal expression on the society, and requires the public to accept and adapt to their own personality. A large part of people always want to keep their personal traces in society, which is tantamount to creating a sculpture of a character based on themselves. As a result, the influence of the work may be greatly reduced, the public may not recognize it, and the work may not be considered to be in conformity with the urban character.

The art of entering the public domain is first of all the condensation of the public will, to conform to the current universal aesthetic, to serve the society. But it is not to say that all artists must be completely "grievances" in the present aesthetic. Under the premise of referring to the current average aesthetic level, artists also need to increase the "advance amount" and play the "patches" in advance. Because art also has a renewed nature, the aesthetic level after decades and 100 years should also be considered. In Western society, artists also pursue individuality, and the enlightened public group does not exclude personality and style. However, in the process of the formation of Chinese civil society, the general aesthetic is not likely to be in place.
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