Eight sentences, find out where the good jade carvings come from!
Jade carving art is a comprehensive art. It is a systematic project. Every step of the development of jade carving art involves many elements and is the result of the comprehensive function of various elements. How to scientifically and dialectically understand these elements and their mutual relations and give them proper understanding and rational positioning is a problem that must be clarified by contemporary jade carving artists and jade cultural workers.
These factors include: materials, crafts, heritage, innovation, culture, style, talent, and market. After reading the following eight sentences, you will know: Where does the good jade carving come from!
First, the material is flesh
Among the many art works, the material that jade carving faces is the most beautiful and important special carrier for artistic display. The art of calligraphy and painting can turn white paper into “paper platinumâ€, and the art of purple sand can “smash the sand into the deviceâ€. The raw materials used by goldsmiths and silversmiths can “spot stone into goldâ€. Root carving, wood carving and porcelain art can “degenerate into magicâ€. Jade carving art cannot have such a space for change. The material used is the magical existence of the earth movement hundreds of millions of years ago and the scarcity between the heavens and the earth. She comes from the precious natural resources that can never be copied. It is the mother of the artist's talents, so we say the material. It is the flesh of jade carving art, without bones and flesh, and nothing can be attached.
Second, the craft is life
The raw materials are magical, and they are also minerals that exist in a free form. Jade is not cut, not a device. The long river of Chinese jade culture for thousands of years is actually based on the jade carving craftsmanship as a symbol to interpret and develop. This is the image narrative left by the ancients and predecessors. It is the same as the text narratives left by various historical books. The iconic meaning of semiotics has become a cultural product with humanistic values ​​and aesthetic support.
Third, inheritance is blood
The jade carvings of each era are stepping on the footprints of a long list of predecessors. The experience accumulated by the predecessors is the cornerstone of the later generations of jade carving artists. This is a magnificent history of the development of jade carving art. Later generations have drawn rich nutrition from it. It is because of inheritance that we can talk about development. In order to discuss innovation. Chinese jade culture is not a tree without roots, the water of passiveness, her long-lasting genes, flowing in our blood, which determines that we can not bypass the inheritance, but can not be light and thin.
Fourth, innovation is the essence
The jade carving artists of each era strive to establish their own image after the tall figure of their predecessors, leaving their own contributions and creations. This brave and transcendental ideal and temperament is the internal driving force for the continuous innovation of jade carving art. What's more, different eras have different levels of productivity development. When a new era is born, there will inevitably be a humanistic spiritual dimension, a social concept, an aesthetic orientation, and a value-for-money standard that represent this era.
Fifth, culture is the soul
Jade has no cultural connotation, just like no soul. Without culture, it may also cause serious injuries in jade carvings, such as the "opening the earth" of a master. Pangu held the axe open to the earth. At that time, "the world was chaotic like a chicken." Everything has not yet formed. Where is the axe? "The Three-Five Calendar" contains: "Panggu dying incarnation, ... toothed into a golden stone..." The raw material for making an axe is the change of teeth after the death of Pangu. It can be seen that we can make jade, and we must not forget the cultural knowledge reserve and take it for granted.
Sixth, the style is charm
Style is the embodiment of the aesthetic concept formed by the artist on the basis of creative practice. It is related to the artist's cultural literacy, personality temperament, artistic experience, regional culture, and also related to the trend of the times and social influence. The style is the expression of jade, it is a unique feature, and it is the name of the jade carving artist. The formation of the style is not only a symbol of the maturity of the jade carving artist, but also a manifestation of the unique artistic style. There is no jade carving or jade carving work of the style, just like a person has no charm and no richness.
Seven, talent is the backbone
If we compare the history of Chinese jade culture for thousands of years to a palace, then it is the generation of jade carving talents that support this palace. Jade is carved by people, and jade culture is created by people. Without talent, nothing can be said. Talents play the role of the backbone in the life of jade carving art.
In the past, jade carving artists were concentrated in the state-owned system, but the highest honor in this line was the “old folk artistâ€, and only a very small number of people could get this title. Being within the system, but also being classified as a folk, this contradiction itself reflects the embarrassing status of jade carving talents. Reform, opening up, and institutional transformation, as the core productive forces of jade carving, have been greatly emancipated. It is precisely the emergence and growth of talents that have created the current prosperity of jade carving.
Eight, the market is wings
The magic of the market has now been recognized by all of us. It not only allows the jade carving art works to be circulated in the form of commodities, the economic value can be realized, but also allows the jade culture to let the jade carving skills spread the sample of different styles and promote the rapid development. Exchange and integration of culture and craftsmanship. Without the market, our works can't fly high, so the market is the wings of jade carving art.
Jade carving as a comprehensive art, the above eight elements are indispensable, and must not emphasize some of these elements and ignore other elements. Jade interpretation of Tianhua, eight wonderful one, only coordination and unity, comprehensive practice, go hand in hand, in order to make our jade carving art reach or close to perfection.
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