In a recent development, the art world has been abuzz with discussions surrounding Fan Zeng’s "flowing water" painting style. This controversy began when collector Guo Qingxiang published an article questioning the authenticity of this technique, which was later amplified by reports that a 5 million yuan dispute had sparked public interest. Recently, Guo finally released physical evidence of Fan Zeng's paintings, reigniting the debate.
Fan Zeng’s agent, Mr. Xu, responded to these claims in an interview with the Morning Post. He stated that the current art market isn’t solely dominated by Fan Zeng’s work and suggested that Guo’s understanding of painting might be limited. “He says he doesn’t understand painting,†Xu remarked, “but then why did he buy modern artists’ works instead of those from ancient masters?â€
In a series of photos shared earlier, a large white paper was displayed on a wall, with over a dozen rice papers neatly arranged. Each image resembled portraits of ancient figures, particularly Zhong Kui, all wearing blue sweaters. One photo showed the artist working on a piece of rice paper, while another featured multiple versions of "Laozi Exits," all in black and white. A more recent photo of Fan Zeng was also included.
Guo Qingxiang claimed that these images were obtained from a fan of Fan Zeng, who accidentally came across them. He argued that these photos confirmed his previous assertion that the "flowing water" style was not genuine. “It’s not an artist’s creation but rather a craftsman’s repetitive work,†he said, criticizing the method as overly standardized.
Mr. Xu, however, did not deny that the photos depicted Fan Zeng. He criticized Guo for his lack of expertise, asking, “Why would someone who doesn’t understand painting buy modern artworks?†He also pointed out that many renowned artists, including Fu Baoshi, have used similar techniques in their own works.
Guo, in turn, acknowledged that such methods had been mentioned before but insisted that Fan Zeng was the only one he had personally seen using it. He contrasted this with Wu Guanzhong, whose works are known for their unique concepts and meticulous execution. “Fan Zeng’s process is commercialized,†Guo argued, suggesting that many painters today rely on repetitive themes to maintain fame.
Jiang Hong, a prominent art theorist, noted that anyone familiar with Fan Zeng’s work would recognize the repetitive nature of his paintings. “His works often look the same, like his depictions of Li Bai or Du Fu,†she said. “If this trend continues, Chinese painting may lose its artistic value.â€
Liu Chuanming, a close friend of Fan Zeng, admitted that the “flowing water†style was indeed his method. While he acknowledged the criticism, he emphasized the need to examine the underlying causes. “Fan Zeng once told me that his success relied on bureaucrats and profiteers,†Liu recalled. “This phenomenon reflects deeper issues in the art world—where fame, money, and market recognition drive artistic production.â€
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